The image depicts a large sculpture of a rabbit lying down in a relaxed position. The sculpture is painted in a shiny golden color, which contrasts sharply against the muted gray and green backdrop of the surrounding landscape. The rabbit's features are exaggerated, with large ears, a round face, and prominent paws. The surface of the sculpture appears smooth and reflective, highlighting the texture and contours of the rabbit's body. It is placed on a small mound of reddish-brown mulch, surrounded by green grass. In the background, there are blurred trees and a paved path, providing depth to the scene.

Deep in summer, some things thrive.
A sunflower towers over the site. Testing the stability of the thick stalk, I fantasize about climbing.
Then I consider Giants. I pass.

Not all the corn stalks, but one has a node higher than the peak of all the others. One zucchini has leave the size of hubcaps and a spread twice its peers. 

Some struggle and some are fine. But those other extremes, the fantasy of their seemingly limitless potential, I slip into a trance.

I lose time.

The image captures a low-angle view of a tall corn plant, extending upward towards a clear blue sky. The scene is framed with several vibrant green leaves that arch outward, showcasing their smooth, elongated texture and bright coloration. The stalk is prominent in the center, exhibiting a shiny, smooth surface with faint texture details visible. At the top, there are hints of pinkish flower buds, adding a touch of contrast against the greenery. The background features scattered clouds and a hint of foliage from a tree in the top left corner, creating a serene natural setting.

As bunches of small white flowers fade, the berries grow.

The image features a cluster of white elderberry flowers, characterized by numerous small, delicate blossoms densely packed together. Each flower displays five petals surrounding a central cluster of tiny yellow stamens, contributing to a soft and intricate appearance. The background is predominantly dark, which accentuates the bright white of the flowers and the green leaves interspersed throughout the composition. The flowers are shown against a blurred backdrop, enhancing their prominence in the image. The overall texture appears soft and nuanced, reflecting the light gracefully.
The image depicts a cluster of elderberry blossoms in their early developmental stage, just before they mature and turn purple. The focus of the image is on a series of thin, branching stems radiating outward, each adorned with small green buds that are clustered together. The buds are arranged in rounded formations, resembling delicate spheres in a fractal pattern. The background is blurred and mostly dark, allowing the bright green of the buds to stand out vividly against the surrounding leaves, which have a textured appearance. Overall, the composition creates a striking juxtaposition between the vibrant buds and the muted background.

Small green balls become bulbous.

Branches bend low, prostrating themselves to bring the reddening bunches to picking level.

As the bunches verge on popping, peaking at a deep purple, it is time to pick. Fast. Within a couple days they will leak, and be too soft to handle. At that point, with the lightest touch, they fall off the bush. A pervasive smell of rot.

Clip clusters and store in the freezer to make picking easier. Every spare soup container is drafted into service and the freezer becomes a live action game of Tetris.

The image showcases a cluster of small, dark elderberries hanging from slender, red stems. These berries are prominent in the foreground, while a soft, blurred background of green foliage creates a sense of depth. The leaves in the background vary in shape and size, contributing to a lush, natural setting. The lighting appears bright, likely indicating a sunny day, giving the scene a lively and vibrant atmosphere. The overall composition highlights the berries against the verdant backdrop, drawing attention to their rich color and delicate structure.

Bake into muffins. Melt into jam. Dehydrate for use later.
Fickle little berries that come in droves. Tasty, useful, for a couple weeks all consuming of my life.

Cyanide poisoning side effects:
nausea, vomiting, diarrhea, dizziness, seizures, death.

With an incantation and a few hundred degrees:
a delicious and harmless fruit for baking, jams, and sauces.

In a pot an equal weight of berries and sugar, one must make an acidic cut with lemon juice. Add fire and the berries shrink; juice escapes. It bubbles and foams to three times the depth; a nice light purple glow. Then recedes and darkens. Harm gone, let it thicken, but not burn. Jar with the remnants of the berry seeds and skin: crunch.

The image shows a close-up view of elderberries boiling in a pot. The liquid is a vibrant deep pink, with bubbles forming on the surface, indicating active boiling. Scattered throughout are dark brown and blackish elderberries, which appear rounded and glossy, contrasting with the lighter hues of the boiling mixture. The surface texture is somewhat frothy, indicating the release of juices from the berries as they cook. The pot's interior is visible, showcasing a smooth metallic surface that reflects the light faintly, enhancing the overall composition.

The image depicts a slice of elderberry focaccia resting on a light-colored surface. The focaccia has a golden-brown crust that is slightly crispy and bubbly, with scattered dark elderberries embedded throughout. The interior of the bread reveals a soft, chewy texture with hints of purple staining from the elderberries. A few moist pockets can be seen, suggesting the presence of juice from the berries. The overall shape of the focaccia is rectangular, showcasing a rustic appearance with uneven edges. The lighting is bright, highlighting the contrasting colors of the crust and the berries.

Bake rather than boil? Scatter through muffins or fold into sourdough. Some berries burst just in the folds while others explode in the coagulation, dyeing stretches of the bread. Slices reveal deep purple splotches; sweet patches in each bite. Zhuzh it up with melted Havarti and a dollop of elderberry jam.

Threat converted to a delicious opportunity.

A rare sight: Maren up on the deck rail, scanning the site, on high alert. Suddenly a swing off one trellis shaft to another, transitioning into a swift descent, and she is back out of sight.

A pole away, a wide eyed Sola is frantically twisting her head back and forth. This isn’t a sentry on lookout, this is the active search that comes only after the alert from a disturbance. The exhausting review lasts only moments before she bounds off, two ollas over. A sudden stop and the frantic scan left and right restarts.

Exasperated, her head freezes then slowly starts a scan of the sky then down to the site perimeter’s fenceline. Conclusion reached, she takes off in a sprint back towards where she came. Then beyond. A singular focus: it’s a beeline towards the door. With a heave, a gust, and a hiss it opens up and she is gone.

It’s not just the fairies. The normal sound of sparrows, cardinals, and robins scavenging has vanished. The site is quiet.

Charlie is the last to leave, making for the neighbor’s porch. Tail puffed up. It is not a sprint. Charlie doesn’t sprint, but moves with more hustle than when she is on the prowl.

A site in motion, now abandoned.

Source: Unclear.

I feel lost.

Time and place shifted beneath me.
My eyes burn. Every breath is a strain.

The image captures an early morning scene with a prominent sun partially obscured by a layer of smoky haze caused by northern wildfires. The background exhibits a soft gradient of warm colors, transitioning from pale peach at the horizon to a lighter pastel hue near the top. In the foreground, silhouettes of trees with varying heights and shapes are visible against the hazy backdrop. The sun is round and glowing, appearing larger due to the atmospheric conditions, and emits a bright yellowish-white light that contrasts with the subdued colors of the sky.

Heat. Humidity. Smoke and a smell of burning.
Not the neighbor enjoying a summer night burger on the grill to avoid heat in the kitchen. A burning that screams danger, that mutes the sun to a glow. A haze that envelops everything on plot 17 and reduces the sight of what lies beyond its borders.

I think locally:

  • A canister at a time I water the plants and rinse their leaves. I check and refill the ollas.

  • I look for disturbances.

    • Something behind the smoke.

    • Something different that reveals this isn’t my home. Isn’t my timeline.

The image depicts a mural on the side of a building, primarily featuring a stylized, abstract figure with large, expressive eyes and partially visible hands. The figure appears to be holding sunglasses, which adds an element of intrigue. The dominant colors are shades of purple and black, giving the mural a bold, vibrant appearance. The surrounding area of the mural includes a large, stylized text that reads "Paul" in white, providing a contrast against the darker background. The overall composition emphasizes the eyes of the figure, drawing immediate attention.

I don’t find Sola. I don’t even hope to spot Maren. Inconspicuous on a normal day, invisible in this context.

Thick air slows everything. Emptying my entire reserve results in a sluggish slide through the sun to collapse into the shade. For days on end a breeze fails to break through.

Every day, dawn to dusk, the site is being relentlessly baked. I empty one water barrel, then the other, trying to keep up the reserves. Roots that have stretched near the ollas seem satiated. Others, lacking that maturity, struggle. As the sun finally sets, I top those off with a deep drenching.

In this heat, I still don’t spot Sola. Touring the gardens in the evening, a couple of covers have been disturbed. Something has gotten in for a drink.

The image presents a single leaf, predominantly displayed against a white background. The leaf is primarily green but shows signs of browning at the edges and certain areas, indicating that it is either dried or wilted. Its surface is textured with pronounced veins and subtle imperfections, including small holes and faded patches. The leaf is elongated and has a tapered tip, with the edges slightly curled and uneven. The composition emphasizes the leaf's features, contrasting its organic shapes against the stark background.

Have the fairies dealt with that intrusion, preserving my garden’s right to this chilling relief, or has the system broken?

I top off the bird bath.
I set out a water tray for the squirrels and any kits.

We all need this relief, but an order must be maintained to align these interests. Yours, mine, the plants. Systems require management.

I never saw what was here before. Upon my arrival a few years ago the plot was all gangly turf and weeds, with this small island of bark in the middle. Plain, waiting for direction. I planted the foxtail lily and bee balm. Supported the milkweed and blue vervain. As they took hold, the bark area has slowly sunk.

The image depicts a vibrant cluster of butterfly weed (Asclepias tuberosa), showcasing its bright orange flowers. The arrangement consists of numerous small, star-shaped blossoms that radiate from the center, surrounded by lush green, elongated leaves. The flowers are primarily orange with hints of yellow and red at the center, offering a striking contrast against the deep green foliage. The background is blurred, emphasizing the vividness of the flowers and leaves, while the plant is situated among other greenery, adding to the natural setting.
The image depicts a cluster of blue vervain flowers, characterized by tall, slender spikes adorned with small, vibrant purple flowers. The flowers are arranged in a dense formation near the top of the stems, with each flower displaying five petals that form a tubular shape. The surrounding green foliage consists of elongated leaves with serrated edges, providing a contrasting backdrop to the vivid purple hues. The blurred green background suggests a natural outdoor setting, enhancing the visual richness of the flower arrangement.
The image features a vibrant pink coneflower prominently positioned in the foreground, showcasing its broad, petal-like structures that radiate outward. The petals possess a soft texture and exhibit a gradient of pink hues. At the center of the flower is a conical formation composed of tightly clustered, small blackish-brown seeds surrounded by orange filaments. Insect noticeable on the flower—likely a bee—sits on the upper side of the bloom, engaging with it. The background consists of green foliage with elongated, blade-like leaves that create a rich contrast against the pink of the flower.

I ponder what was as I sit in the shade. The weight of the humidity, the anxious prairie for any breeze encourages unfocused imagination. Dreaming. 

I picture what was once a large tree. The entire site was cast in a cave-like shadow. Little else grew. A place that felt hidden. Invisible.

The tree’s removal could have only been a couple years before me. Conversion of a shady cavity to an open space with potential, completely altering the spirit of the site. Or maybe reclaiming it.

I was predestined to garden here.

Saturday morning, the humidity persists. Allocating time to shake things up, I set out the tools and an iced water bottle.

Compost piles are filled gradually, layer by layer, but that stratified site history can’t be preserved. Turning speeds decomposition and hastens the nutrient return. There be black gold in that cage.

I begin by removing the top. As I toss aside stalks that are slow to decompose: a sharp pain on my finger.

The image depicts a hand-drawn illustration of yellow jackets emerging from a burrow. There are four insects featured, notable for their distinct yellow and black coloration. The central yellow jacket is facing forward, showcasing a prominent pair of large, dark eyes and extended antennae. Two additional yellow jackets are positioned above it, slightly angled, while the fourth is on the right side, closer to the edge of the burrow. The background is a gradient of reddish hues, creating a contrast against the vibrant colors of the yellow jackets. The texture appears to be created with colored pencils, indicating a soft and blended quality.

A new threat is present, lashing out from where I don’t suspect. I think thorn. My brain then says but why. Eyes confirm, no thorn.

A yellow jacket struggles, stinger planted. Unable to extricate itself. Flailing. I look down at the compost and now see fifteen, twenty yellow jackets crawling over the top. By dumb luck I didn’t dig into the burrow, just upset the edges. I back away to remove the stinger, to ice. Thankful to escape with only one hit.

A few days later, across the plot, I spot a nest that is less hidden. Under the garage overhang a powerful queen has her colony hard at work. Twelve, sixteen paper wasps cover the combs, encasing new larvae.

I stare dumbstruck. 
Multiple new entities have staked their claim. 
My efforts feel like they are becoming boxed in.

Since the start of the smoke, the fairies have been on lockdown. Peering out from the doors at dawn. Checking the surroundings. Then battening down.

Water management necessitates controls for when things are good and augmentations when it gets dry. Defense drops back to the deeper reservoirs, closer to the doors, where lids are checked morning and night to maintain the reserves. Scavengers are allowed the short, perimeter ollas: more puddle than pond. Key ones garner a strong presence and regular review.

Within the smoke, there is more movement. Maren and Sola have support. More eyes that peer out from beneath the door. While they inspect, the additional watchers monitor for movement.

Old warnings are placed atop certain stores.
Signs not seen in decades.
The face a warning that only trouble waits for you here.

The image features a small, oval-shaped, light-colored stone with a face-like expression, positioned on top of a circular, grayish plate resting on the ground. The stone has two dark, circular features representing eyes, and a downward curve carved or marked into the surface to depict a frown. The setting is natural, with a background of soil and scattered grass blades. Bits of green foliage and some small dark seeds can be seen around the stone, contributing to an earthy atmosphere. The overall tone of the image is muted, with shadows suggesting a partially shaded environment.

Rampaging across a patch and up a trellis: a pumpkin vine thrives. 

And then, it turns yellow. Wilts.

I squish a couple of squash bugs, but find no sign of eggs. I tenderly search the base of the vine for soft spots, the signals of a borer. No spots give away the threat. Surgery is off the table. With no opportunity for recovery, I must accept defeat. Remove the sorry remains of the vine. To prevent the threat from lingering, to not sully my compost, I bag it. 

All my hopes now rest on one pumpkin across the site. An inordinate amount of water is dedicated. Careful hours are spent searching the vine for squashbugs. For the tell tale little red triangle of eggs. Whatever is necessary so this part of the plan succeeds.

But a voice in the back of my mind wonders:
Is this the threat I should be looking for? 

The lack of borers and eggs on the other vine gnaws at me. Like a borer would. 
Am I sure that this was a common threat and not something more targeted? 

I nurse the one ripening fruit. I search the vine, the ground, and the site for signals. The lack is discomforting.

Something roams in the night.

Where there were twelve corn stalks there are now eleven: one has been knee capped, folded over. Hidden by the night, two sharp bites gouged out the stalk inches above the ground. The rest isn’t consumed, or even scratched. Whatever came, this limb wasn’t to its taste. Was it possibly too chewy?

The image depicts a close-up view of a corn stalk that has sustained damage, likely from something that took a bite. The stalk is primarily green with a slender and elongated shape. There is a visible bite mark on the stalk, exposing the inner, lighter-colored core, which appears moist and slightly fibrous. Surrounding the injured area, the surface is rough, showing signs of wear and tear, with strands of dried leaves and fibers protruding from the sides. The background is blurred, featuring other green plants, emphasizing the focus on the damaged corn stalk.
The image features a butternut squash that appears to be growing amidst dark, tangled vines and foliage. The squash has a light cream color with a smooth, slightly bumpy texture. A portion of the squash has been bitten, revealing a bright white interior with hints of orange around the edges. The background consists of muted tones, primarily dark greens, browns, and blacks, which enhance the contrasting brightness of the squash. Tendrils and vines are intertwined around the squash, further embedding it in the natural environment. The scene has an overall subdued color palette due to the darkened background, drawing attention to the squash.

A few days later, across the site, a butternut squash is missing a big bite. Just one. Like I might bite the bulge of a pear. But I wouldn’t stop at one. This was a tasting of a more gamey appendage, but still it wasn’t right. Too soft possibly, lacking a bold, rich, savory flavor?

I lie on the patio furniture and read.
But only until predusk.
Then I secure the green house.
Lock the house doors.
Set the window stops.

Whatever comes at night is still searching. I fear for what flavor it hungers.
The feel of its chaw.
The cold of its teeth’s penetration.
The smack of its satisfaction.

The image features a potato resting on dark soil. The potato appears to have a rough, mottled surface, indicating some age or exposure to the elements. A deep cut runs along the side of the potato, revealing bright yellow filling oozing out, which contrasts sharply with the earthy tones of the potato's exterior. Surrounding the potato, the soil is textured and appears dry, with visible roots and plant matter intermingled among the dirt, enhancing the agricultural context of the scene.

Flowers recede, leaves brown. What’s left wilts until I almost don’t remember something is hidden here.

It takes a day to exhume April’s four shallow pits. Digging carefully from the edges to avoid damage, but still… one is sliced. A deep cut by the shovel's edge.

Sifting carefully through each shovel full, the small golden treasures are preserved in brown paper bags.

Shovel by shovel I have to accept that the results are, admittedly, underwhelming. A fingerling is not what was planted, but abnormally hot, dry weeks have tamped down expectations. Heaps of gold have been revealed as a mirage.

Most come inside to be sliced for a few campfire meals. The truly small ones and those damaged by wayward slices are reburied.

The cycle renews.
High hopes for the fall.

The image shows a section of soil with potatoes that are visibly small or damaged. Most of the photograph is rendered in shades of gray, emphasizing the dirt and the surrounding earth. In stark contrast, a few potatoes exhibit bright yellow colors, indicating they are the focus of attention. The soil is dark and textured, with small clumps and particles visible, alongside some roots and green clover leaves emerging around the potatoes. The composition captures a natural farming environment where these potatoes have been replanted for a fall harvest.

The ground continues to harden and crack. The green of tomato leaves lighten while the edges burn yellow. Production slows.

It’s not just plants that suffer in extreme heat under fourteen hours of relentless sun. Sola’s smile remains frozen, but the relaxed act has vanished. After multiple nights of disturbed olla lids, she is on high alert. Expectations raised. Orders sharper. A rondel dagger is now a permanent extension of her right hand. Any approach on the central ollas has her in motion.

Tension ripples through the site.
Something has to give.

Then one day, a new well spring sprouts. A wide dish, slightly dug in. A small solar power spout. It doesn’t solve the drought, but a central watering hole adds some frolic.

Shoulders relax.

The image features a small, round water feature located in a vibrant garden setting. The water basin is black and shallow, filled with clear water and surrounded by smooth, multicolored stones. A small fountain at the center produces a gentle spray of water droplets, creating a serene ambiance. Surrounding the water basin are various plants, including tall green foliage and clusters of red and purple-leafed plants. Among the flora are bright orange and yellow flowers, which add a splash of color. In the background, there is a green trellis, partially obscured by the surrounding greenery.

The rustle of small movements.
Brief dalliances into the sun.
To snack. To drink.

A kit hides among the wild flowers. At a size where it’s critical to stay hidden.
Aware of the dangers: the predators and those it hasn’t yet classified.
It needs another week, maybe two to reach the next tier.
A safer size that minimizes some of the threats.

Could this be the new caretaker? It is unclear that a selection has been made. Care and tentativeness are necessary for survival at this stage. The question is whether it converts to what the site needs.

Guidance.
Mediation.
Decisiveness.

The image features a close-up view of a rabbit partially hidden in a dense patch of grass and plants. The rabbit's head is visible, showcasing its large, dark eye and a bit of its textured fur, which appears in muted browns and grays. Surrounding the rabbit are tall, green grass blades, and hints of foliage that provide camouflage. The background consists of blurred greenery, contributing to the overall natural setting.

Two simplified iconic illustrations side by side on a white background, each representing one of the water fairies of Foster's Addition, labeled in formal serif text beneath. On the left, Sola Thorn is represented by a stylized emblem: a magenta oval form at the center, suggesting an olla, topped with a small teal flower. Radiating outward from the oval are splashes of bright blue water drops arranged symmetrically like wings or a crown. Below the oval sits a dense arrangement of flowers in orange, red, and yellow — peonies and marigolds rendered in flat bold color. The overall composition reads as a heraldic device, a coat of arms for a water fairy whose domain is bloom and irrigation. On the right, Maren Still is represented by a stark, minimal emblem: two large bold magenta butterfly wings rendered in flat graphic stripes, spread wide and powerful. At the center where a body would be, there is almost nothing — only a long gray spear oriented vertically, and just above it, two tiny blue eyes rendered in fine detail against the white space. The eyes are the smallest element in the composition and the first thing the eye finds. The wings have no body between them. Just the spear and the eyes. Together the two icons suggest very different kinds of guardianship. Sola's emblem is full, layered, abundant. Maren's emblem is absence with a weapon.

Recorded Here
for the Unlucky

The fairies of Plot 17 watch over this record.
Would be thieves: they will know.
Your produce rots by morning.
Dreams of horrors you can't name.
You leave home and walk in circles:
close enough to see where you're going,
never arriving.